Flemish Northern Renaissance Painter, ca.1500-1551  Related Paintings of ISENBRANT, Adriaen :. | Mass of St Gregory sf | Rest during the Flight to Egypt fw | Virgin and Child tt | Rest during the Flight to Egypt dg | Portrait of Paulus de Nigro sf |
Related Artists:
Jacques Charlier
French Miniaturist, ca.1705-1790
BOTH, Andries
Dutch Baroque Era Painter, ca.1612-1641 Andries Both (1612/1613, Utrecht - March 23, 1642, Venice) Dutch genre painter, one of the bamboccianti, and brother of Jan Dirksz Both. Both was the son of a glass painter, and studied under Abraham Bloemaert. According to Joachim von Sandrart, Andries and his brother Jan cooperated on the paintings, with Jan painting the landscapes and Andries the figures, though this view has been revised in the 20th century. Andries stayed in Rouen in 1633, and he traveled on to Rome, where is documented from 1635 to 1641. He first shared a studio with a fellow painter from Utrecht, Jan van Causteren. In 1638 his brother joined him, living on the Via Vittoria in the parish of San Lorenzo in Lucina and perhaps both joining the Accademia di San Luca and the group of painters led by Pieter van Laer. In 1641 the brothers traveled back to Holland, but Andries met his death in Venice on the way, drowning in a canal as he was returning from some festivities.
William Hamilton
English Painter, 1751-1801, was an English painter and illustrator. Hamiliton was born in Chelsea, London, but travelled and worked in Italy with Antonio Zucchi for several years. He trained first as an architectural draftsman, but soon moved to theatrical portraits and scenes from plays. Hamilton became very well known for his paintings depicting episodes from the plays of Shakespeare and for his illustrations of poems. He was commissioned to create works for John Boydell's Shakespeare Gallery, Macklin's Bible and Bowyer's English History. These were widely reproduced in popular prints. Francesco Bartolozzi engraved a number of Hamilton??s best known works. He also painted modern events, such as the execution of Marie Antoinette, in the manner of epic historical drama. Hamilton's style shows the influence of the cult of sentiment typical of the period, resembling the work of Angelica Kauffmann. He also sometimes adopts aspects of Fuseli's dramatic distortions in composition and figure drawing. He became an associate member of the Royal Academy from 1784, and was made a full member in 1789.